Home | TV Show | Babes | Events | Photos | News | Merchandise | Viewers Rides

Subscribe to Born to Ride Magazine for 1 year!!

 
 

Typically, new motorcycle press launches by following a standard format: Fly somewhere around the world, have them learn about the changes, updates or redesigns, and then spend a day or so riding the new machine to evaluate. These launches are always interesting and illuminating, but with the progress that has been made in the two-wheeled world, it is not often I get to ride something so outrageous, so out of the box and so completely different that it leaves me scratching my head as I attempt to process what has just happened! Riding Valentino Rossi’s M1, the 260mph Bud Busa and the Confederate Hellcat, are three such experiences that immediately spring to mind. But, as wild as these rides are, they are the exception rather than the norm, so when I got the call from Matt Chambers that his new Wraith was ready to ride, I didn’t hesitate to say yes to meeting him in Daytona…especially as he had something up his sleeve.
                                For the first time in history, Confederate Motorcycles would reveal not one, but two of their mind blowing new Wraith motorcycles to the public during Daytona Bike Week, 2007. Production designer, Brian Case, rode the second bike along side me and we were free to blast around Daytona. Truth be known, company founder and owner, Matt Chambers, was secretly waiting to see what sort of reaction we could generate from

the wildest motorcycles to be produced this decade at the craziest bike meeting of the year.
                      My first introduction to the Wraith was back in early 2004 when I visited Confederate Motorcycles in New Orleans. At that time, I rode their incredible Hell Cat and came away extremely impressed. While I was in New Orleans at that time, I was shown drawings and parts for the next Confederate creation titled the Wraith. From the moment I saw the early sketches and computer designs, I was stopped in my tracks. The Wraith was to be a cross between a turn of the century board tracker and a mid-sixties British café racer. I didn’t immediately find the bike attractive because it didn’t conform to anything I could relate to on two wheels. In hindsight, this is exactly what Confederate was hoping to achieve.
                         Designed by J. T. Nesbitt, the first concept bike appeared on the cover of Robb Report Motorcycling in the spring of that same year. It sent out a shock wave through the motorcycle industry and certainly got a lot of tongues wagging. By the winter of 2004, the first prototype was up and running while the Confederate crew headed to the Bonneville Salt Flats to see what she would run (an ultimate speed record never being the intended mission). The true success of the Bonneville run was that a small company


 

like Confederate could combine the design and engineering talents of two men and create a running model in such a short space of time.
                       At Bonneville, the Gods of Speed were not unkind. Sure the salt was very wet and the top speed times were down, but the Confederate Wraith ran true, trucking home to Louisiana with a 131mph time slip and a message that the Confederate meant business.
                    The next part of this story concerns one of the greatest natural disasters to hit the United States—Hurricane Katrina. Destroying Confederate’s quarters, it forced the small company to relocate to Birmingham, Alabama. The reason for this move to the "Detroit of the South" was one Mr. Barber as owner of the world’s most prestigious motorcycle collection located at the Barber Museum, with one of the finest race track’s right next door; it was a natural fit for the American motorcycle manufacturer. Company owner Matt Chambers vowed that this move would make Confederate stronger. Minus designer J.T Nesbitt, Matt and his staff took Mr. Barber s invitation and moved east.
                    Constructing a motorcycle of this nature is no easy task and the trials and tribulations Confederate has endured is well documented. So, when I got the call to ride the Wraith, it was a moment that would

go down as one of my motorcycle all time greats. Knowing what level of adversity Matt Chambers, Brian Case and Ed Jacobs have undergone since Katrina, made the fact that they would be in Daytona with not one, but two Wraiths, proved that Confederate has weathered the storm.
                          Talking with Matt, I’ve learned that Confederate has taken over forty orders for this new machine. This was music to my ears and it felt good to know that Confederate was heading into 2007 on such a strong footing.
                           Bike Week is a non-stop barrage of sensory overloads. So I enjoyed the eerie quiet, as I made my way through the thick fog that was rolling in off the Atlantic. It was the last Saturday of the rally and I was on my way to meet Matt and the gang a little after dawn. With the vast majority of Bike Week’s attendees sleeping off the previous evening’s debauchery, I arrived to find the crew rolling out prototype number-four and prototype number-five for the ride.
                          The first part of the day I rode number-four and later switched to number-five. Brian Case gave me a quick run-down on the starting procedure then we hit the early morning Daytona streets. The starting procedure became one of the most engaging parts of my Confederate Wraith experience. I ran through my series of pre-flight checks: compression release buttons depressed,

ignition switch to the first position, fuel pump switched on, select neutral and then hit the starter button, making sure my left leg was no where near the exposed clutch.
                     The bike Fired immediately with a cool jet airplane-like whine, the 120 cubic- inch V-twin quickly settled into a throaty idle. Called the B120, the counter-balanced engine produces around 125 horsepower and a monster 131 foot-pounds of torque. The 4.5 inch pistons thumped up and down and the vibration was minimal. Then pulling in the heavy hydraulic clutch, I located first gear and hit Atlantic Avenue.
                      The ride position is something akin to a late ’70s Laverda Jota. It puts you in the race crouch, but with more room than a smaller Japanese sport bike. The bars are wider and the pegs, while rear set, are not unnaturally cramped. Sitting on top of an exposed engine is weird, as there is no gas tank between your legs—it’s located under the engine. The slim carbon fiber composite spine frame doubles as the oil tank, doing nothing to dampen out the noise from the valve gear. The seat is equally weird with nothing behind it which adds to the sensation of being suspended in mid-air when you ride.
                         As a prototype, there are issues to be addressed before the bike goes to final production and I was flattered that Brian and

 


 

Matt were eager to hear what I had to say. Nitpicking someone’s work of art is not an easy task, but likening it to an editor adding some commas and deleting a few redundant words from an article, I made my suggestions.
                    My personal thoughts were that the metal grips needed to go in place of a more compliant rubber item. The saddle needed to be a tad wider, thicker and repositioned higher and further back. As tested, it was too
flat and became a pain in the arse, literally, after a day of riding. Also, the shifting needed some work, as it was too stiff to be comfortable. And, while I was complaining about the seat, I thought it would be nice to raise the bars an equal amount to offset raising the rider s rear end. The rear brake needed some attention, but in the broad scheme of things I think these are minor details when the rest of the bike works so well.
                  With a sporting wheelbase of 58.5 inches and a claimed weight of 410 pounds, the bike maneuvered easily. Brian and I were
soon hacking through the traffic that was building up as we blasted from one adventure to the next. Attracting crowds at every stop and more than a fair share of beautiful women, riding the Wraiths around Daytona

was like having a large spotlight following us. Every time we parked, people just swarmed around the bikes and from the amount of questions we fielded, I think the girder style carbon fiber front end was the most talked about. Followed by the lack of a gas tank, and then the "who makes it?" question which actually seemed to punctuate every round of questioning.
                      Riding down Main Street, the number of camera lenses pointing our way was phenomenal. Adding to the mystic, Brian and I kept our tinted shields closed, which emphasizes the slack jawed look.
With Confederate having such high profile customers as Brad Pitt and Tom Cruise, it certainly felt like we were celebrities for a day.
                          We ended our ride at the Daytona International Speedway for a photo session with www.Speedtv.com’s Joe Tripp. I switched to the newest version of the Wraith and within seconds let out a loud cry of
delight! As a more refined version of number-four, the steering was immediately quicker, the brakes sharper, and the way the engine pulled up through the rpm range was incisive and stronger. This was the perfect end to the test. I had concrete proof of the positive

direction the Wraith was moving in and got to lay it into some turns at last. Rolling on top shelf suspension and Marchesini wheels, it wasn’t really a surprise. I’m looking forward to another ride on number-five through the twisting hill country of Confederates new Alabama headquarters.
                        As something of a retroactive time traveler, the Confederate Wraith is like nothing else on two wheels. Raw and visceral, with more than enough sporting abilities for the regular rider, these things pall into
insignificance when compared to the feeling and sensation of roaring down the road on one of the most visually stimulating piece of motorcycle artwork in the world today. This bike is an amalgamation of American iron, modern components, wild imagination, and thinking not rooted in the traditional sense. The Confederate Wraith is priced at $62,500 and is most certainly not for the masses…or was it ever intended to be?
For more information on the Confederate Wraith and to view extensive documentation on the construction of this motorcycle, visit www.Confederate.com.

Neale Bayly
Photos Joe Tripp and Neale Bayly

 

 

Each month we will add some additional information from articles in the Born To Ride Magazine. Additional photos that didn't make it into the magazine or additional text from the writer about the subject they were writing about. You will find three or four features a month that have extended coverage on BornToRide.com. Keep checking each month for this extended coverage of your favorite items from Born To Ride Magazine.

 

Continue On To See Other Older Copies Of
Born To Ride Magazine